Sympathy in Film essays

Sympathy in Film essays Creating sympathy is a very delicate and skilled task to perform in a motion picture. Filmmakers have to take factors in to account in order to get their message across. There are many techniques, ranging from an actors or actresses clothes and possessions to the environment in which the movie takes place in, to the set lighting, camera angle, and sound. Although, none of which is as near as important as the acting; how the star portrays his or her character. We have to believe the actor is really that person on the screen, if we are to feel emotions towards that character during a dramatic scene. A film that demonstrates this to the tee, with brilliant acting, visual effects, and sound is Braveheart. The leading/main character, William Wallace, played by Mel Gibson gives his audience a emotionally charged experience viewing this film. Without words, every look, every expression, we know exactly how he is feeling and sympathize with his pain. His first real traumatic experience comes when his newly wed wife is killed. Her throat is slit and she is tied to a pole for the town to see as an example. Meanwhile William is waiting for her at a meeting spot. We, the audience already know that shes dead, but distressfully watch as Wallace slowly becomes terrified of what could have happened, as he looks round and round for her. He soon gives up, and decides to return to the town hed last seen her. Finding her slain body tied up to the post, he falls to his knees, speechless, and we see the utter horror in his eyes, as Wallace realizes he has nothing else to live for. Looking at a proud man suddenly broken, the audience feels utter sympathy towards him and what he has lost. Mel Gibson directed in and stared in this film, which let him play the role of William Wallace in the manner he wished. The film was produced in Scotland, and was made to take place around the end of the 13th century. The s ...

Comparing and Contrasting in English

Comparing and Contrasting in English Imagine you are participating in a discussion about ideas. Its not small talk. Its a discussion about how you feel about something important, like your beliefs, politics, who you feel is better for a job, and so on. Using the right phrases and grammar structures can help you express your ideas well. Knowing how to compare and contrast is a particularly useful tool to get your point across in an interesting way. Words and Short Phrases Used to Compare The following words or short phrases compare two items or ideas: likelikewisesame asas well asalso, toolikewise Here is a short paragraph using some of these expressions: Time, like money, is a limited resource. You cant buy everything you want, likewise, you dont have enough time to do everything you want to do. Our time is the same as our money: its limited. Also, time is a resource when work needs to be done. Words and Short Phrases Used to Contrast The following words or short phrases contrast two items or ideas: unlikein contrast toas opposed todifferent fromwhereas Here is a short paragraph using some of these expressions to contrast: Unlike time or money, desire is an unlimited resource. Think about it: In contrast to money which can run out, your desire for new experiences and ideas will never end. Whereas there is never enough time to do everything you want, your desire will always come up with something new and exciting. Forms Used When Comparing Ideas The most important form to use when comparing two ideas is the comparative form. For three or more ideas, use the superlative form. Comparative Form These sentences use the comparative form to discuss ideas concerning the difficult economy: Employment issues are more important than political problems at this point in time.Job training is more critical to a sustained well being than food stamps and other welfare programs. Politicians are more worried about reelection than truly improving the economy. As ... as A related form to the comparative is the use of as ... as. The positive form shows something is equal. However, when using as ... as, do not modify the adjective as in the comparative form. The loss of manufacturing jobs is as unfortunate as the drop in pay.Spending on education in my state is as high as in some foreign countries like Korea. The negative form shows that something is not equal. It isnt as easy as you think. The loss in production isnt as great as in the past. Superlative Form These sentences use the superlative form to state what someone feels are the most important aspect of success at university: Dedication is the most important factor in success at University. Opening my mind to new perspectives was the most rewarding part of my time at university. Conjunctions and Connectors Use these  subordinating conjunctions, connecting words, and prepositions to contrast positive and negative aspects. Though, Although, Even Though​ Although the initial cost will be high, we will eventually profit from the time spent. Its important to remember that time is money even though many believe that money is more important. However, Nonetheless We need to improve the local infrastructure. However, we must also respect nature. The government should invest in job training programs. Nonetheless, that would be expensive. Despite, In Spite Of Despite the difficulty, students will soon see the benefit of this topic of study. The situation will improve in spite of the economy. Practice Situations Find a partner and use these suggestions to practice comparing and contrasting ideas, events, and people. Make sure to vary the language you use when practicing rather than using the same phrase over and over again. For practice, you could try the following topics: Discuss the economic situation in your countrySpeak about the positive and negative aspects of a politician or political partyCompare and contrast two different courses at schoolConsider both sides of an important decision such as an investment, a career change, etc.

The components of financial management Coursework

The components of financial management - Coursework Example Year Cash flow Discount factor Present value 0 (? 2m) 1 (? 2m) 1 (? 1.5m) 0.909 (? 1.3635m) 2 ? 1.0m 0.826 ? 0.826m 3 ? 1.3m 0.751 ? 0.9763m 4 ? 1.8m 0.683 ? 1.2294m 5 ? 1.3m 0.621 ? 0.8073m 6 ? 0.6m 0.564 ? 0.3384m ? 0.8139m The NPV of the project is ? 0.8139m. This is a positive amount and therefore is an indicator that the project can be carried on. Section II Associated risks of the project The risk associated with a project may be defined as the variability that is likely to occur in the future returns from the project. Risk arises in investment evaluation because we cannot anticipate the occurrence of the possible future events with certainty and consequently, cannot make any correct prediction about the cash flow sequence. In the context of capital budgeting projects, risk results almost entirely from the uncertainty about future cash inflows, because the initial cash outflow is generally known. These risks result from a variety of factors including uncertainty about future re venues, expenditures and taxes. Therefore, to assess the risk of a potential project, the analyst needs to evaluate the riskiness of the cash inflows. There are three possible attitudes towards risk that can be identified. These are: (a) Risk aversion (b) Desire for risk (c) Indifference to risk A risk averter is an individual who prefers less risky investment. The basic assumption in financial theory is that most investors and managers are risk averse. Risk seekers on the other hand are individuals who prefer risk. Given a choice between more and less risky investments with identical expected monetary returns, they would prefer the riskier investment. The person who is indifferent to risk would not care which investment he or she received. There are various risks involved in the project that have different degrees of consequences. Such risks may be categorized into technical risks, environmental risks, economic risks, political risks and project completion risks. (Horngren, Foster, & Datar, 2001) The risks that any project is predisposed can be avoidable or unavoidable and therefore a firm has to minimize the risks that face the projects it undertakes as much as possible. The project that is intended to be carried out can face the risk of errors in estimation. Such errors could disrupt the schedule of the whole project as a whole if the business and development teams do not work closely to curb such cases of errors. There is also the possibility that there can be a requirements overload whereby the requirements for the project are not well established and are therefore constantly being added later on during the development phases of the project. This disrupts the laid down schedule and delays the events of each step of the project. Lack of proper documentation of the project at the same time as the project progresses is also a risk that most projects face since critical information related to the project may be lost. PART B Section I Beck Bag Year Expected ca sh flows Accumulated cash flows 1 60,000 60,000 2 70,000 130,000 3 70,000 200,000 4 40,000 240,000 5 20,000 260,000 The project costs 200,000 and the amount is recouped in the third year, therefore the payback period is 3 years. Roo Bag Year Expected cash flows Accumulated cash flows 1 70,000 70,000 2 70,000 140,000 3 60,000 200,000 4 60,000 260,000 5 60,000 320,000 The project costs 260,000 and it takes 4 years to recoup this amount. Therefore the payba

Saving my best friend Essay Example | Topics and Well Written Essays - 750 words

Saving my best friend - Essay Example But somehow we realized and took a vital move on our part by coming a bit towards the lower side. The trees and grass on the hilltop were hustling and bustling and the little rain that was present in the clouds had touched our fists every now and then. We know a thunderstorm was there any minute since the clouds started to turn black of all a sudden. They had the gashes of a bucket full of water that was waiting to come down on us hard. We knew we needed to hurry to reach our destination otherwise there was a wet day in the fields for us. There was something different however in the making. Something extremely terrible! As we hurried down the hill, Jim’s ankle sprained and he started to come down quickly. I ran after the sliding Jim and used all my might and force which I could offer at the time. I realized this was not enough. Somehow or the other, I had the presence of mind within me which started to make its mark. This made me reach for Jim who was stuck on the rock’s edge and his both feet were in the air, leading towards the valley down under. Had he fallen, it would have been the end of Jim’s life, his future and his dreams. More than anything else, his parents and friends would have lost a soul full of energy and wit fed into him. It suddenly dawned on me that I was wasting time thinking about all this! I needed to do something – something, no – the vital thing that would eventually save his life. I quickly started looking for a rope but I knew it would not be available there. I got hold of tiny pieces of cloth here and there. I instantly picked them up and tried to stick the pieces of cloth so that the end result would be in the form of a single cloth through which I could pull back Jim and thus bring a fresh lease of life in his desolate self. All this required tact and immense patience. Also I had to be brave and physically strong to pull Jim up since his body weight and height resembled mine. The pieces of cloth were

United States as an Imperialist and Expansionist Nation Essay Example for Free

United States as an Imperialist and Expansionist Nation Essay Imperialism is the influential expansion of a country’s power through territorial invasion creating a financial and political control of other countries. Imperialism is used to refer to the period of 1880 to 1918 wherein the developed countries look for new territories to dwell in, creating their command to the African and Asian countries so that they will have the most useful location. The United States pursue an aggressive policy of expansionism during the late nineteenth and early twentieth centuries to expand the nation’s political and economic influence worldwide. The United States general public observed the first expansion attempts as a means to help other nations for a righteous reason but as it goes by they changed their mind and viewed the United States as an imperialist nation. Manifest Destiny was created in 1845 to somewhat justify American expansionism. United States would still be the sole strong power even without expansion but it was America’s goal to reign supreme above others. In 1860’s when American Imperialism was isolated, it affected the affairs of other small countries but it had no effect whatsoever to the Great Powers which the United States has not fully reached. Initially the United States wanted expansion to be able to compete with the European markets. In The People’s History of the United States, Howard Zinn commented about the demand of expansion: Appleman Williams has described in The Roots of the Modern American Empire that there were need for expansion by many commercial farmers. Populist Congressman Jerry Simpson of Kansas told Congress in 1892 that with a vast agricultural excess, farmers ‘must of necessity search for foreign market. True, he was not calling for violence or invasion but once foreign markets were seen as significant to success, expansionist procedure, even war might be appealing. The period of Imperialism began when United States helped Cuba to drive away the Spaniards and helped the Cuban gain their independence. The Americans then had a navy base in Cuba and they wanted to help the Philippines next but instead of giving them independence they build their own empire. The American people come to realized and viewed their nation as an upcoming imperialist nation because prior to the Spanish American War, the American military did not subsist. The national identity of the people of America changed significantly since they were able to show to the whole world that they can survive even without the help of Great Britain. The Manifest Destiny was created to rationalize to the citizens the expansion that was happening. The United States expansion enabled them to be competitive to the European market but later on the expansion became more of imperialism like what happened in the case of the Philippines. By becoming an imperialist nation, the United States has to build their military from scratch and the people who object their expansion was viewed as unpatriotic by the government. The United States without expansionism would be just like one of the numerous nations that is incompetent in absorbing millions of immigrants, without the ability of protecting itself against great nations and without the capacity of spreading and preserving its culture worldwide. Work Cited Zinn, Howard. The People’s History of the United States. New York: Harper Collins Publisher, 1999.

Factors Affecting Euthanasia :: Euthanasia Physician Assisted Suicide

Factors Affecting Euthanasia      Ã‚  Ã‚   In the September 4 issue of the British. medical journal The Lancet, Canadian researchers report on how dying patients' "will to live" is likely to show "substantial fluctuation" due to changes in both physical and mental factors. Dr. Harvey Chochinov of the University of Manitoba and his colleagues assessed the "will to live" twice daily in 168 mentally competent cancer patients admitted to palliative care, and correlated this with a variety of other factors. The patients ranged in age from 31 to 89 years old; they survived an average of 18 days, though one woman lived more than 150 days. The factors with the most impact on the will to live were "depression, anxiety, shortness of breath, and sense of well-being." Which factor was most important varied with the stage of illness. During the earlier course of a patient's illness, anxiety was the dominant factor; depression became more important later, and shortness of breath was the chief factor suppressing a will to live when death became imminent. The study confirmed that, at least during much of a terminal illness's course, psychological factors weigh more heavily in a desire for death than factors such as physical pain.    Numerous US studies have established that the Americans most directly affected by the issue of physician-assisted suicide -- those who are frail, elderly and suffering from terminal illness -- are also more opposed to legalizing the practice than others are:    * A poll conducted for the Washington Post on March 22-26, 1996, found 50% support for legalizing physician-assisted suicide (Washington A18) Voters aged 35-44 supported legalization, 57% to 33%. But these figures reversed for voters aged 65 and older, who opposed legalization 54% to 38%. Majority opposition was also found among those with incomes under $15,000 (54%), and black Americans (70%).    * An August 1993 Roper poll funded by the Hemlock Society and other euthanasia supporters indicated that voters aged 18-29 supported "physician-aided suicide" 47% to 35%; voters aged 60 and older opposed it 45% to 35%. Hemlock's newsletter commented that "the younger the person, the more likely he or she is to favor this legislation." The newsletter added that "this is somewhat at odds with how Hemlock views its membership," since it sees itself as defending the interests of elderly citizens. (Humphry; Poll 9) A study of cancer patients found that terminally ill patients experiencing significant pain are more opposed to physician-assisted suicide than other terminally ill patients or the general public.

How Romanticism and Photography Shaped Western Modernitymodern

â€Å"Western modernity was shaped by cross-currents between Europe and North America in the 19th century and in the beginning of the 20th century. † Neoclassicism was a movement which focused on the rediscovery of Ancient Greek and Roman values and style (and called Greek revival in the United States[1]). It was a defining trait of the Enlightenment age and of its reasoning-based political and artistic thinking and saw its apogee during the Napoleonic era.Starting in the 19th century, this movement was opposed by the Romantics, who ended the strict rules of neoclassicism and made the expression of their emotions and feelings the basis for their art, may it be poetry, literature, painting or music. The English romantic poet William Wordsworth called romantic poetry â€Å"the spontaneous overflow of powerful feelings recollected in tranquility†[2]. Compared to the neoclassicists, romantics such as Edgar Allan Poe or Victor Hugo were â€Å"modern†.They anticipated mentality changes in the Western world. Parts of western modernity were shaped by interactions and cross currents between Europe and the United States during the 19th and 20th century. These centuries were characterised by a break from the established rules and the artistic past and were times of new technologies as well as increasing interaction between the two sides of the Northern Atlantic. Such Euro-American relations, may they be artistic, cultural and even political have never died out.To understand our Western modernity, this paper shall examine two different aspects of these artistic cross-currents. Firstly, the romantic current played an important role in all the arts, ranging from poetry to architecture. Finally, the appearance of the documentary art of photography has in many aspects shaped modernity and even later led to the invention of motion picture and cinema[3]. Firstly, the Romantic Movement that swarmed across Europe and North America starting in the 19th century helped to shape western modernity.The Romantics broke away from the neoclassicism and the Enlightenment era and, as Samuel Taylor Coleridge puts it, Romanticism is the expression of â€Å"intellectual intuition†, and combines reason and emotion to find Truth and Beauty. The movement focused on individualism and even egocentrism, the importance of the â€Å"self†; the concept of â€Å"author-as-hero† was particularly popular. Romantics also elevated human and divine imagination and inspiration, revered nature and ts mysteries and authors often opposed an ideal view of reality to the sense of loss and melancholy, as Baudelaire does in the section â€Å"Spleen and Ideal† of â€Å"Les Fleurs du Mal†, his poetry volume. In short, they believed in beauty for beauty's sake and art for art's sake. This was modernity. Edgar Allan Poe and Charles Baudelaire are the epitome of the relations and cross-currents between North America and Europe shaped modernity, as Charles Baudelaire often translated Poe' work from English and made it accessible to French readers.Edgar Allan Poe was a famous American romanticism writer who lived in the first half of the 19th century. He surely deserved William Butler Yeats’s praise for being â€Å"always and for all lands a great lyric poet† as he was one of the earliest short story writers and often considered as the inventor of modern crime fiction and the modern character of the detective, a self-referential character. Poe clearly revolutionized and therefore modernized literature and western modernity greatly inherits from his work. He had a well-know taste for writing ghoulish and mysterious stories.In â€Å"The Man of the Crowd†, a short story he wrote in 1840 for example, an unknown narrator follows a mysterious old man throughout the crowds and bazaars of London. This story emphasizes how the â€Å"wanderer† or â€Å"stroller† can walk through the crowded city whi le still maintaining an outside view: he does not buy anything and does not even notice the narrator. The story opposes the individual to the rest of the people, seen as one group: â€Å"the crowd†. Charles Baudelaire translated this story to French in â€Å"L'homme des foules†. For Baudelaire, the flaneur becomes important to understand urban modernity as he â€Å"walks the city to experience it†.This image of an outsider is also mixed with the image of the dandy, and Baudelaire is known to be somewhere between the two, as his peculiar habits testified. Baudelaire defines modernity as the â€Å"ephemeral, the fugitive, the contingent, the half of art whose other half is the eternal and the immutable† in â€Å"The Painter of Modern Life†, which he writes about Constantin Guys without revealing his name. For Baudelaire, Guys is the painter of modern life because he is not only a flaneur, he is also able â€Å"to distil the eternal from the transito ry†.Guys, who wanted to remained unnamed in Baudelaire's review, was a an army man with no artistic education who started with drawings specialized in war but later also represented modern urban life in London and Paris such as popular celebrations or simply street scenes[4]. Constantin Guys never signed or exposed his paintings and was only recognized in his time by Baudelaire and a circle of friends of which the prominent photograph Nadar. He painted and drew from memory and Baudelaire writes in â€Å"The Painter of Modern Life† that â€Å"Monsieur G. ever ceases to drink the fantastic reality of life; his eyes and his memory are full of it. â€Å"[5] â€Å"Ou il faudrait ne voir que le Beau, notre public ne cherche que le Vrai†, writes Baudelaire in  «Le public moderne et la photographie ». Modernity for Poe, Baudelaire and the Romantics in general is finding and creating beauty for the sake of beauty. Baudelaire did not appreciate the first photographs that were made of him such as the one by Etienne Carjat shown below. In his critique of the Salon de 1859, he blames the new industry of photography for the decline of French spirit.In â€Å"Le public modern et la photographie†, Baudelaire writes that the ignorant modern crowds believe that what is identical to nature is art and that they wrongly believe that therefore photography is â€Å"l’art absolu†. â€Å"Les insenses! †. Even though photography was the refuge of bad painters and was first considered industry and not art at first, it is nowadays considered by many both an art and a way of documenting life and events as in all newspapers and magazines, especially the ones that focus on nature, journalism or even fashion photography. [pic][pic] Baudelaire by Carjat.Carosse, drawing by Guys One of the first kinds of photography, the daguerreotype process was named after its French inventor Frenchman, Louis Daguerre. In 1839, it was eulogized in the Fren ch academies of Sciences and of Fine Arts by Francois Arago because he found it useful for astronomy. Using such processes, the French photographer Nadar, friend of Guys and Baudelaire who lived and had his studio on the rue Saint-Lazare in Paris, had the opportunity to photograph many figures of the French arts and journalism scene such as Gustave Dore or Alexandre Dumas.Until the 1870s defined the modern photographic portrait: thanks to an astute use of lights, his portraits were more life-like than the ones by other photographers. He used no decor, a â€Å"neutral background† and â€Å"clothes that served simply to bring out the sitter's outline†[6]. The telegraph inventor Samuel Morse brought the daguerreotype to the United States after meeting Daguerre in Paris in 1839. Such cross-Atlantic contact was already common in the 19th century and even Poe spent time on both sides of the ocean.Because photographic techniques kept on improving and modernizing, picture look ed more and more lifelike and representative of reality. Photography was most notably used during the American Secession War from 1861 to 1865. Photography was not only used by upper-class citizens in daily bourgeois life but also as documentary photography. The great characters as well as horrible events of the civil war were for instance immortalized, partly for the sake of information and truth. As shown below, Gardner’s pictures of the war have integrated the American historical heritage.It was the avant-garde of modern mass media: in 1933, the first photograph was transferred on a newspaper, revolutionizing forever modern newspapers. [pic][pic] Alexander Gardner's photographs in Antietam, USA, September 1862 But modern photography was also well elevated to the statute of fine art in the life time of the internationally recognized photographer and gallery director Alfred Stieglitz (1864-1946): he is considered â€Å"a crusader for modernism†[7]. Stieglitz worked pa instakingly and succeeded in legitimizing the fine art of photography.He became of Expressionist leaning and started to replace naturalism in his art with exaggeration and the expression of â€Å"intense, subjective emotion†[8] as his piece shown below, Equivalent suggests. , once again proving his pioneering role in the perception of modernity. [pic][pic] The Terminal by Alfred Stieglitz (1892)Equivalent by Stieglitz (1926) Western modernity was shaped by the cross currents across the Atlantic in the 19th and 20th centuries, especially the Romantic Movement of which Poe and somehow his follower Baudelaire were part of.Poe and Baudelaire pioneered western modernity as they have for the self-reflecting character of the flaneur and by for example noticing Constantin Guys and his modern urban dweller drawings. Thanks to the invention and rise of photography during the end of the 19th century painting was liberated from the need to represent accurately and modern painting was tri ggered by a wave of creativity in the beginning of the 20th century. Photography also contributed to shaping western modernity, especially by documenting the Civil War that ravaged North America and by the creation of portraits of intellectuals in France.The invention of photography also eventually led to cinema, which became increasingly popular and accessible throughout the 20th century to become the seventh art and for some companies a very profitable industry. Photography is also one of the ways journalists make us see what is too far from us, such as modern day events like the Arab revolutions. In short, photography, starting with, among others, Daguerre, Nadar, Gardner and later Stieglitz became a full part of western modernity both in industry and fine art.